HUNGER

I was the land, wild with life and longing, streaked through with death and decay. Not a separate being in the world, but the world itself.

The Vast Interior

Several years ago, I had an experience which profoundly altered the shape of my life. I was outside and I was weeping. It was springtime, the snow was melting. I was in the heart of the city. I was walking. I passed through a wide alley between a school and a church. In the middle of the alley I saw a dead bird—small, half rotten, imperfectly preserved. This dead thing, with its exposed bones and its eaten up body, transfixed me with its bareness, its innocence. I stood, arrested by it. An exchange began, and all at once the bird seemed suddenly to have my face. It was my body there, my soft flesh eaten up and fallen away. Those were my bones, my milk eyes, my wings flattened and turning to ground. That was me—small, still, and surrendered against the concrete at the start of spring. The ground fell out from under me and I fell through it. 

The falling was like tearing through a pinprick in fine fabric. And where the pinprick had once been, now was a vastness, an expanse, a canyon.  I walked into the vastness. All around me, the city shimmered and twinkled and called to me. The streets were full of people coming and going, arms and legs swinging, beating hearts moving through the city. I felt myself as them. Not among them or alongside them, but suffused in them—every boundary and border crossed, all the doors between us opened. What had stitched me to my body alone was undone. I was without form. I left one shore and swam to another. I was the land, wild with life and longing, streaked through with death and decay. Not a separate being in the world, but the world itself.

 This moment was as vivid as it was fleeting. It is the ghost which haunts my life and which remains just out of reach, passing just at the edge of my vision. It has become the singular inquiry to which I return again and again: what does it mean to belong to the world for a person like me? 

I am a Black woman. I have been shaped by beauty and by pain, by exaltation and by exclusion. In the midst of my own splendor, there is the lingering sense of being locked on the outside, pressed into the periphery of life. To maneuver these experiences is to walk the road between the living and the dead. Each day I choose life. I understand that I am what is missing. The world sings my name, and I insert myself into it.


HUNGER is an an immersive multichannel video work which weaves together projected video, sound, live performance, and installation.

Born from a profound, spontaneous occurrence in which I experienced the abrupt removal of all boundaries between myself and the world. Emerging from this sublime experience, HUNGER is a mythologized journey into longing, emptiness, rapture, and love. HUNGER centers the black feminine subject as the universal voice and body, and troubles the boundary between the psychic interior and the outer world, seeing in this border-crossing the possibility of drawing together the fractured self. 

The core of HUNGER is a cycle of interwoven, non-narrative video works which use imagery drawn from dreams, Greek and West African mythology, and the writing of historical mystics such as the Catholic ecstatic, St. Teresa of Avila. The videos are devised through an intuitive, free associative process heavily influenced by Carl Jung’s Red Book and Jung’s technique of engaging the mythopoeic imagination through contemplative practice. Each piece in the HUNGER video cycle is intended to be both self-contained and viewed in conjunction with the entirety of the cycle. Currently there are three pieces in the cycle: Like Muscle to the Bone, This Eternal Thread, and Time Is A River.

HUNGER was first incubated at the PearlArts PearlDiving Movement Residency in Pittsburgh, PA (2016). The piece has since been developed with support from the Franklin Furnace Fund (2017), the Meerkat Media Collective Filmmaking Residency (2016- ongoing), and the MacDowell Colony (2019). HUNGER has been presented at Inner Fields (Brooklyn, NY; 2016), BAAD! Bronx Academy of Arts and Dance (Bronx, NY, 2017), the La MaMa Galleria (New York, NY, 2019) and the Kniznick Gallery (Boston, MA, 2019).

Documentation

 

Bronx Academy of Arts and Dance, 2017

HUNGER, 2017
Documentation of HUNGER workshop at BAAD! Bronx Academy of Arts and Dance
Performance, Video Installation, 45 minutes

Documentation of an evening length workshop installation of HUNGER. Two women performed a movement and text score within the suspended fabric installation. Two projectors were mapped together to create an oversized projection surface. Parts one (Like Muscle to the Bone) and two (This Eternal Thread) of the HUNGER Cycle, along with additional landscape footage, were edited together and projected on to the suspended fabric panels. The performers moved and spoke in counterpoint within the space, interacting with the fabric to affect the projected image.

 

Director, Sound
Corinne Spencer

Performers
Adiagha Faizah
Mariah Sade Ralph

Camera
Claudia Zamora

 La MaMa Galleria, 2019

Shanna Maurizi & Corinne Spencer, 2019
Documentation of HUNGER presented in a two person show at La MaMa Galleria.
Three channel video installation. Video projection on chiffon suspended across hanging wooden dowels and string. 13 minutes, 31 seconds.

Parts two and three of HUNGER presented as a three channel video installation. The images were projected on three different surfaces, each distorting or clarifying the image in turn. The images moved throughout the room, shifting from surface to surface in a choreographed manner which asked the view to physically move throughout the exhibition space to view the work. The videos were accompanied by a lush sound score blending spoken, digital generated sound, nature recordings, and distorted vocalizing.

 

Previous
Previous

Splendor

Next
Next

Time is a river